Showing posts with label Paresh Rawal. Show all posts
Showing posts with label Paresh Rawal. Show all posts

Short and Quick Movie Review: Table No. 21



* Okay, the requests have been nonstop so I had to restart. Yes, movie reviews are back more so because my Dad was upset I stopped. But as usual, my reviews are short and quick. Who has time for long reviews anyway?
 
Table No. 21 follows Vivaan (Rajeev Khandelwal) and Siya (Tena Desai), a couple on a vacation which they win via a contest. As they are wined and dined on the island of Fiji, they become a part of a dangerous reality show game. Soon they realize that all is not what it seems. As their relationship and trust for one another is tested, they soon unravel the reason as to why they were called on as contestants in the first place.

While you initially gravitate towards the film because of its unusual plot, it soon becomes slightly cumbersome and repetitive. However, that said, the film touches on a number of themes which are prevalent to today’s times including modern day relationships, modern technology and even, ragging. What works for the film is the fact that it doesn’t rely on a tried and tested formula which most thrillers use. And while you are curious to understand why it is the couple is being tested, the climax comes as a huge shock but is also somewhat confusing too.

As a director, Aditya Datt sticks to a genre he knows well—one of complicated relationships and hidden pasts. He tackles the film and its plot well but more attention needed to be given to the idea of ragging especially since it seemed to be the moral of the story. The film thrives on its performances. Yet again the much underrated Rajeev Khandelwal comes out scoring top notch with Table No. 21. He proves time and time again that he can handle films and scripts that are different yet enticing. We really do need to see more of him. Paresh Rawal is an actor who can handle almost any film and thus, Table No. 21 is as easy as it gets for him. New girl Tena Desai creates quite an impact in her debut film. She surprises with her mature and subdued but effective performance.

Table No. 21 as a film does well to entertain and keep you glued to the screen. While there are a number of gaping holes, it comes at a time where brainless comedies are no longer working. Audiences are more accepting of intellectual films. Table No. 21 is just that—smart and witty. Definitely a must watch.

Movie of the Year: OMG Oh My God!

My faith in God is unshakable. I went through my ‘nastik’ phase where I too questioned his existence, his motives and pointed out nonstop issues I had with being a Hindu. And then one day, I stopped. I saw how God took over my life and fixed it. But that doesn’t mean I still don’t debate certain aspects of Hinduism. When I get iffy answers such as, “This is just how things are done,” I find myself rolling my eyes. Honestly, a 'I don't know' would suffice.

And this is exactly why OMG Oh My God! starring Akshay Kumar and Paresh Rawal, is my film of the year. We’re introduced to the atheist Kanji bhai (Paresh Rawal) who ironically sells Hindu God idols for a living. His entire living is based on falsely cooking up stories to sell his goods. One day, after he is cursed by a local priest after which his store, the only one that too, is destroyed by an earthquake. When his insurance claims they cannot cover any damages as his policy doesn’t cover “acts of God”, Kanji bhai decides he needs to sue God. Naturally, he is faced by extreme opposition until he finds a friend in one Krishna Vasudev Yadav (Akshay Kumar) who is actually Lord Krishna in human form. It is through Krishna, that he finds the solution to his problem and eventually wins his case.

I’m not going to get into the performances because Paresh Rawal is incredible as the overly atheistic Kanji bhai. He gets it spot on without being over the top or overacting too. Akshay Kumar only appears midway but never has Lord Krishna been so damn cool. But it’s the message that the film gives that makes you want to applaud the writer and director, Umesh Shukla. The film isn’t anti Hinduism nor is it asking you to turn around and become a devout Hindu too. Not at all. The film is actually asking you to question blind traditions that we often deem as ‘must do rituals’. Milk over a Shivling or milk to a poor child? Additionally, we’re reminded by Lord Krishna that a) the almighty loves devotion to him, not material goods, and b) that we’ve become far too God Fearing while we should be God Loving. And for a minute if you believe that God doesn’t love his unbelievers, you couldn’t be any more wrong.

It’s rather rare for cine-goers to find a film that not only entertains, manages to fit into the comedy mold and yet holds a sound message. At many points during the film, you find yourself questioning your own beliefs. I’m a Shiv bhakt so my Monday mornings includes worshiping my Shivling. I questioned how much milk all over the world was being poured over Shivlings every Monday. I use an entire quart. There are millions of Shiv followers around the world. Can you just imagine how much milk is being ‘wasted’? Perhaps we’d be more blessed if we donated that milk to hungry children instead.

But my favorite scene has to be the climax. Krishna, who has revealed himself to Kanji as the almighty, leaving behind his peacock key chain which Kanji picks up and naturally, decides to keep just as any of us would. It is then that the Lord speaks and tells him not to stop being an atheist and to get rid of the memento which he knows Kanji would make into a taveez and wear around his neck. Everything I ever believed in stood still right there. Here I am wearing black threads for protection from a special Hanuman temple in Mumbai which happens to hold a gold Om from my Mother, thinking this is how I’ll stay close to God when in actuality, God is with me irrespective. It doesn't mean I ripped off my black thread from my neck and threw it to the ground. No. As filmy as I am, that definitely did not happen. It was with love and faith that my parents made me wear my Om and black thread. That sentiment is too strong to disrespect.

No, it’s not that I’m an atheist now. Not at all. I still have full faith in the almighty. But I definitely think I am a lot more sensible in practicing religion now. I don’t think Lord Shiva will mind too much if I donate the milk and use water on Mondays.

Any film which causes you to think while it entertains has to be a winner. OMG Oh My God! shakes you and wakes you! A complete winner and my pick for 2012.

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